"Missed it Monday" is the regular column where I review anime/manga that I didn't get to watch/read when they first came out.
Love at Fourteen vol. 8 - 3.5/10 (*see full scoring rubric below)
I think, in many ways, this series may have finally fallen off the cliff. I've had concerns that it was framing one relationship between a student and a teacher a little too positively, but after reading this volume, it seems to me that ALL the relationships are suddenly about adults and kids. And I'm just not cool with that.
In volume 8, the only storyline having to do with our "main" couple (who appear less and less in the volumes as this series has progressed) has Kazuki pretending to be the boyfriend of another girl so that she can prove she has an older boyfriend to her friends. He only does this to help out his friend Kato. And at least Kazuki tells Kanata about it. Making this story worse, the girl Kato is interested in ends up being in elementary school, like a 5th grader or something and he's ostensibly 14. So I'm WAY NOT OKAY when they start dating. Ughhhh. Just when I thought the adult/middle-schooler stories couldn't get worse, they throw in a middle-schooler/elementary-schooler romance. Jeez.
Showing posts with label shounen. Show all posts
Showing posts with label shounen. Show all posts
Monday, June 8, 2020
Monday, May 25, 2020
Missed It Monday: Someday's Dreamers - complete series (Manga Review)
Missed it Monday is the regular column where I review manga/anime that I didn't get to read/watch when they first came out.
Someday's Dreamers volumes 1 and 2 (complete series) - 5.5/10 (*see below for full scoring rubric)
Someday's Dreamers is a two volume manga that was originally published by Tokyopop in English in 2006. I've watched the anime based on it as well as the "sequel" anime "Someday's Dreamers II: Sora" (which was the far better anime, and definitely worth checking out). So I was glad to finally get my hands on the manga it was based on.
Someday's Dreamers takes place in our world, but with one difference: some people can use magic. There is a formal government agency which regulates those who use magic in adulthood and the magic users (mages in the anime) are public servants who work to help others on a contract basis. Someday's Dreamer's follows Yume, a senior in high school, as she goes off to Tokyo to study with a professional and take her final exam to become a licensed magic user.
Someday's Dreamers volumes 1 and 2 (complete series) - 5.5/10 (*see below for full scoring rubric)
Someday's Dreamers is a two volume manga that was originally published by Tokyopop in English in 2006. I've watched the anime based on it as well as the "sequel" anime "Someday's Dreamers II: Sora" (which was the far better anime, and definitely worth checking out). So I was glad to finally get my hands on the manga it was based on.
Someday's Dreamers takes place in our world, but with one difference: some people can use magic. There is a formal government agency which regulates those who use magic in adulthood and the magic users (mages in the anime) are public servants who work to help others on a contract basis. Someday's Dreamer's follows Yume, a senior in high school, as she goes off to Tokyo to study with a professional and take her final exam to become a licensed magic user.
Monday, April 27, 2020
Fragtime - not what I'd call yuri (Omnibus Manga Review)
Fragtime (Omnibus) - 3.5/10 (*see full scoring rubric below)
Fragtime (Seven Seas) is pretty much the type of yuri I don't like: a shallow understanding of the inner lives of women mixed with fan service that serves no meaningful emotional or plot purpose and instead is just for the titillation of men. This is a review of the omnibus re-release.
Moritani is a high school girl who can stop time for three minutes each day. She uses this in order to escape uncomfortable social situations. As a result of this ability, she hasn't learned social skills and she hasn't learned coping mechanisms, all she knows is how to be alone and run away.
But Moritani's popular classmate, Murikami, is immune to the stoppage of time and begins to use Moritani's abilities to serve her own needs. Thus begins the manipulative, emotionally damaging, and not at all believable "romance" between these two as they both work to heal and learn to be better people. Sort of. Actually, I wish that description fit it better. It wants to be that story, but it really is just an excuse to see girls in underwear and pretend like the author understands the complexity of young women's thinking.
Fragtime (Seven Seas) is pretty much the type of yuri I don't like: a shallow understanding of the inner lives of women mixed with fan service that serves no meaningful emotional or plot purpose and instead is just for the titillation of men. This is a review of the omnibus re-release.
Moritani is a high school girl who can stop time for three minutes each day. She uses this in order to escape uncomfortable social situations. As a result of this ability, she hasn't learned social skills and she hasn't learned coping mechanisms, all she knows is how to be alone and run away.
But Moritani's popular classmate, Murikami, is immune to the stoppage of time and begins to use Moritani's abilities to serve her own needs. Thus begins the manipulative, emotionally damaging, and not at all believable "romance" between these two as they both work to heal and learn to be better people. Sort of. Actually, I wish that description fit it better. It wants to be that story, but it really is just an excuse to see girls in underwear and pretend like the author understands the complexity of young women's thinking.
Monday, February 3, 2020
Missed It Monday - Love at Fourteen volume 5 (Manga Review)
Missed it Monday is the ongoing column where I review manga/anime that I didn't read/watch when they first came out.
Love at Fourteen vol. 5 - 5.5/10 (*see below for full scoring rubric)
I know you are all tired of hearing me rant about child/adult relationships in manga/anime. But sadly, there are a lot of them in many of the series I'm reading (which I didn't know at first). Rest assured I'm starting some other series soon so hopefully we'll have other stuff to talk about.
With that in mind, Love at Fourteen vol. 5 (Yen Press) gives us more great stories with our lead young couple, but also gives us one adult pursuing a child and four children crushing on adults. It's that focus on adult/child relationships that drives the score so low on this volume. Thankfully none are explicit, they are mostly crushes from a distance, otherwise the score would be lower.
Before we talk about the bad stuff, let's talk about what this volume does right.
Love at Fourteen vol. 5 - 5.5/10 (*see below for full scoring rubric)
I know you are all tired of hearing me rant about child/adult relationships in manga/anime. But sadly, there are a lot of them in many of the series I'm reading (which I didn't know at first). Rest assured I'm starting some other series soon so hopefully we'll have other stuff to talk about.
With that in mind, Love at Fourteen vol. 5 (Yen Press) gives us more great stories with our lead young couple, but also gives us one adult pursuing a child and four children crushing on adults. It's that focus on adult/child relationships that drives the score so low on this volume. Thankfully none are explicit, they are mostly crushes from a distance, otherwise the score would be lower.
Before we talk about the bad stuff, let's talk about what this volume does right.
Monday, January 6, 2020
Missed it Monday - Fireworks (2017) is a gross male fantasy (Anime Review)
Missed it Monday is the recurring column where I review manga/anime that I didn't read/watch when they first came out.
Fireworks (2017) - 3.5/10
It turns out I had already tried to watch "Fireworks" once. When I started watching it the other day, the first few minutes seemed familiar. And terrible. I now remember starting it and refusing to finish it because it was so bad. This time I plowed through just in case it got better. It didn't. It got worse. It is an overwrought male fantasy that masquerades as a coming of age, time-travel, love story. "Your Name" or "The Girl Who Leapt Through Time" it is not.
In order to do justice to this review, I will be spoiling the whole way through, particularly when talking about the absolutely awful ending. You've been warned. But the movie sucks so bad that at least I'm saving you from needing to watch it.
Fireworks (2017) - 3.5/10
It turns out I had already tried to watch "Fireworks" once. When I started watching it the other day, the first few minutes seemed familiar. And terrible. I now remember starting it and refusing to finish it because it was so bad. This time I plowed through just in case it got better. It didn't. It got worse. It is an overwrought male fantasy that masquerades as a coming of age, time-travel, love story. "Your Name" or "The Girl Who Leapt Through Time" it is not.
In order to do justice to this review, I will be spoiling the whole way through, particularly when talking about the absolutely awful ending. You've been warned. But the movie sucks so bad that at least I'm saving you from needing to watch it.
Monday, November 11, 2019
Missed it Monday - Love at Fourteen Volume 3 (Manga Review)
Missed it Monday is the column where I review manga and anime that I didn't read/watch when they first came out.
Love at Fourteen vol. 3 - 8/10
In Love at Fourteen vol. 3 (Yen Press), we catch up with Kanata and Kazuki, our young love-birds, and the "most mature" two people in their school, whom everyone looks up to. With the dance, festival, and choral competition coming up, their classmates are showing frayed nerves. Things come to a head when there is a fight between a guy and girl in the classroom.
Kanata and Kazuki have been working hard to keep tension down, but their attempt to end this particular fight ends badly when they end up in a shouting match with each other in front of all their classmates. Worried that they've hurt their fledgling relationship, but unsure how to apologize, they keep missing opportunities to set things right.
Sensing the time is right, Shiki makes her move on Kanata, trying to steal her away from Kazuki. Needless to say, it doesn't work, and Kanata and Kazuki end up patching things up. The couple panels where they do are so cutely written and drawn, I almost couldn't take it.
Love at Fourteen vol. 3 - 8/10
In Love at Fourteen vol. 3 (Yen Press), we catch up with Kanata and Kazuki, our young love-birds, and the "most mature" two people in their school, whom everyone looks up to. With the dance, festival, and choral competition coming up, their classmates are showing frayed nerves. Things come to a head when there is a fight between a guy and girl in the classroom.
Kanata and Kazuki have been working hard to keep tension down, but their attempt to end this particular fight ends badly when they end up in a shouting match with each other in front of all their classmates. Worried that they've hurt their fledgling relationship, but unsure how to apologize, they keep missing opportunities to set things right.
Sensing the time is right, Shiki makes her move on Kanata, trying to steal her away from Kazuki. Needless to say, it doesn't work, and Kanata and Kazuki end up patching things up. The couple panels where they do are so cutely written and drawn, I almost couldn't take it.
Wednesday, November 6, 2019
O Maidens in Your Savage Season volume 4 loses some of its edge (Manga Review)
O Maidens in Your Savage Season vol. 4 - 7.5/10
The first couple volumes of O Maidens in Your Savage Season were an unexpected mix of rawness and compassion for the adolescent condition.
O Maidens in Your Savage Season vol. 4 (Kodansha Comics) doesn't quite rise up to that level of writing or narrative prowess, but is still a good continuation of the five characters' stories. The question for the series as a whole, is will it keep giving us complex insight or will it lapse into typicality? It's too soon to say, but Volume 4 doesn't quite have the edge or depth of the prior volumes.
The overall story centers on the five female members of the literature club. They read the classics looking to discuss the complexities of the human condition, with a strong emphasis on exploring love, lust, and intimacy through writing. At the same time, they are five teens going through puberty, and the early parts of the series took an unflinching look at the mind-f#ck that adolescence encompasses.
The first couple volumes of O Maidens in Your Savage Season were an unexpected mix of rawness and compassion for the adolescent condition.
O Maidens in Your Savage Season vol. 4 (Kodansha Comics) doesn't quite rise up to that level of writing or narrative prowess, but is still a good continuation of the five characters' stories. The question for the series as a whole, is will it keep giving us complex insight or will it lapse into typicality? It's too soon to say, but Volume 4 doesn't quite have the edge or depth of the prior volumes.
The overall story centers on the five female members of the literature club. They read the classics looking to discuss the complexities of the human condition, with a strong emphasis on exploring love, lust, and intimacy through writing. At the same time, they are five teens going through puberty, and the early parts of the series took an unflinching look at the mind-f#ck that adolescence encompasses.
Monday, October 7, 2019
Missed It Monday - Iroduku: The world in colors (anime review)
Missed it Monday is the ongoing column where I review anime and manga that I missed when they first came out.
Iroduku: The world in colors - 5.5/10
Let me be blunt. "Iroduku: The world in colors" was an overwrought, under developed, and exceedingly boring anime. I also think it served mostly as a vehicle for male fantasy. In short. I didn't really like it.
Hitomi lives in 2078. She is a high-school student in a world where some people can use magic and that is a normal part of society (in some ways, like a huge rip off of the Someday's Dreamers series of manga and anime - a far far better series). For whatever reason, and we'll come back to this later, she cannot see colors. She is also sad (oh so sad) and her grandmother decides to send her back in time 60 years without warning.
Iroduku: The world in colors - 5.5/10
Let me be blunt. "Iroduku: The world in colors" was an overwrought, under developed, and exceedingly boring anime. I also think it served mostly as a vehicle for male fantasy. In short. I didn't really like it.
Hitomi lives in 2078. She is a high-school student in a world where some people can use magic and that is a normal part of society (in some ways, like a huge rip off of the Someday's Dreamers series of manga and anime - a far far better series). For whatever reason, and we'll come back to this later, she cannot see colors. She is also sad (oh so sad) and her grandmother decides to send her back in time 60 years without warning.
Monday, September 2, 2019
Missed It Monday - O Maidens in Your Savage Season Volume 3 (Manga Review)
Missed It Monday is an ongoing series where I review manga and anime I missed when they first came out in search of great series to keep reading.
O Maidens in Your Savage Season Vol. 3 - 9/10
Volume 3 cemented it. O Maidens in Your Savage Season is simply amazing. It so perfectly captures the mix of pubescent sexuality, naivete, lust, fear, anxiety, confusion, and passion with a mix of realism, drama, and comedy. And the art continues to be extraordinary. Basically, I loved this volume and I love this series. I don't say that lightly, I'm pretty "meh" on most series, hate a bunch of others, and only seldom rave.
O Maidens follows the exploits of the literature club, five high-school girls who read well-regarded literature and dissect it with a heavy focus on analyzing the sex scenes. In volume 2, they escaped being shut down when the got a faculty adviser. In addition, each girl is beginning to explore her own sexuality as well as open up (at least to the reader) about their own pasts.
O Maidens in Your Savage Season Vol. 3 - 9/10
Volume 3 cemented it. O Maidens in Your Savage Season is simply amazing. It so perfectly captures the mix of pubescent sexuality, naivete, lust, fear, anxiety, confusion, and passion with a mix of realism, drama, and comedy. And the art continues to be extraordinary. Basically, I loved this volume and I love this series. I don't say that lightly, I'm pretty "meh" on most series, hate a bunch of others, and only seldom rave.
O Maidens follows the exploits of the literature club, five high-school girls who read well-regarded literature and dissect it with a heavy focus on analyzing the sex scenes. In volume 2, they escaped being shut down when the got a faculty adviser. In addition, each girl is beginning to explore her own sexuality as well as open up (at least to the reader) about their own pasts.
Monday, July 29, 2019
Missed It Monday - Forget Me Not Volume 1 is problematic (Manga Review)
Forget Me Not Vol. 1 - 5/10
I picked up "Forget Me Not" Volume 1 (Kodansha Comics) solely because I really like Nao Emoto's art. The story is written by Mag Hsu and that's where I'm a bit concerned. Emoto-sensei's art is great again, but the writing has me both slightly intrigued and very very concerned. There are many red-flags in the writing and I'm not sure I'm going to keep reading this series because of them. I might give the next volume a try to see if the red-flags are actually resolved responsibly or if it is an indication of a fairly misogynist viewpoint.
The story is complex in that it bounces between present day and episodes in the lead character's past (middle-school through college so far). Yusuke Serizawa crashes on his scooter leaving work one day as he's distracted by a familiar looking woman. She then calls the ambulance, but when Serizawa awakens in the hospital, she's gone and hasn't left a name. However, she calls him and seems to know him, but won't tell him who she is before inviting him to meet with her.
I picked up "Forget Me Not" Volume 1 (Kodansha Comics) solely because I really like Nao Emoto's art. The story is written by Mag Hsu and that's where I'm a bit concerned. Emoto-sensei's art is great again, but the writing has me both slightly intrigued and very very concerned. There are many red-flags in the writing and I'm not sure I'm going to keep reading this series because of them. I might give the next volume a try to see if the red-flags are actually resolved responsibly or if it is an indication of a fairly misogynist viewpoint.
The story is complex in that it bounces between present day and episodes in the lead character's past (middle-school through college so far). Yusuke Serizawa crashes on his scooter leaving work one day as he's distracted by a familiar looking woman. She then calls the ambulance, but when Serizawa awakens in the hospital, she's gone and hasn't left a name. However, she calls him and seems to know him, but won't tell him who she is before inviting him to meet with her.
Friday, July 12, 2019
O Maidens in Your Savage Season volume 2 shows the quality is for real (Manga Review)
O Maidens in Your Savage Season vol. 2 - 8/10
A series about five naive high-school girls learning about sex through 18th century literature should be good, but could easily be awful. It is with much relief that the second volume of O Maidens in Your Savage Season (Kodansha Comics) shows that the quality and promise of the first volume wasn't a fluke. This series is for real, and deftly balances comedy, nostalgia (for our own youth), romance, and messaging with great art and great writing quality.
At the end of volume 1, the literature club (our club of five high school girls using literature to learn about sex - having deemed that ages written expression to be a pure form of sex over whatever their peers are constantly talking about) is being shut down by the principal. One of several arcs in volume 2 consists of gaining student support and a new adviser for their club. Those are fine, but its in the more character driven arcs that this series flexes its muscle.
A series about five naive high-school girls learning about sex through 18th century literature should be good, but could easily be awful. It is with much relief that the second volume of O Maidens in Your Savage Season (Kodansha Comics) shows that the quality and promise of the first volume wasn't a fluke. This series is for real, and deftly balances comedy, nostalgia (for our own youth), romance, and messaging with great art and great writing quality.
At the end of volume 1, the literature club (our club of five high school girls using literature to learn about sex - having deemed that ages written expression to be a pure form of sex over whatever their peers are constantly talking about) is being shut down by the principal. One of several arcs in volume 2 consists of gaining student support and a new adviser for their club. Those are fine, but its in the more character driven arcs that this series flexes its muscle.
Wednesday, July 10, 2019
Komi Can't Communicate Volume 1 exceeds expectations (Manga Review)
Komi Can't Communicate Vol. 1 - 7/10
I'm not a fan of shounen manga generally, and I was skeptical of the premise of Komi Can't Communicate vol. 1 (Viz): Komi is a beautiful, but alone, high-school girl who can't talk and her underwhelming classmate Tadano takes her under his wing to help her achieve her dream of making 100 friends. Yikes, that sounds like it could be fairly condescending to women. Further, while not a strict 4-koma, it is a comedy manga that is scripted in short comedic bursts, also not my preferred style. So I was pleased to discover that it was a well balanced, kind, and funny manga.
Komi is beloved by everyone for her beauty, her grace, and her aura of perfection. But no one really knows her because she doesn't talk (which ends up adding to her mystique as most people don't even realize she's not speaking). It turns out, whether from some speech issues or social anxiety (I'm not a speech pathologist, so I have no idea where this communication disorder is coming from), she doesn't talk in school at all, and any attempts to do so get barely a single sound or puff of air out. That hasn't hurt her popularity, but it has left her completely alone and without any friends.
I'm not a fan of shounen manga generally, and I was skeptical of the premise of Komi Can't Communicate vol. 1 (Viz): Komi is a beautiful, but alone, high-school girl who can't talk and her underwhelming classmate Tadano takes her under his wing to help her achieve her dream of making 100 friends. Yikes, that sounds like it could be fairly condescending to women. Further, while not a strict 4-koma, it is a comedy manga that is scripted in short comedic bursts, also not my preferred style. So I was pleased to discover that it was a well balanced, kind, and funny manga.
Komi is beloved by everyone for her beauty, her grace, and her aura of perfection. But no one really knows her because she doesn't talk (which ends up adding to her mystique as most people don't even realize she's not speaking). It turns out, whether from some speech issues or social anxiety (I'm not a speech pathologist, so I have no idea where this communication disorder is coming from), she doesn't talk in school at all, and any attempts to do so get barely a single sound or puff of air out. That hasn't hurt her popularity, but it has left her completely alone and without any friends.
Thursday, June 27, 2019
O Maidens in Your Savage Season Volume 1 - a careful balance of comedy, sex talk, and high-school (Manga Review)
O Maidens in Your Savage Season Vol. 1 - 8/10
I knew nothing about O Maidens in Your Savage Season Vol. 1 (Kodansha Comics) when I bought it. Somehow it made it to my wishlist on Amazon where I keep track of manga to read. When it arrived, I noticed that it had been written by the creator of the Anohana anime, one of my favorites for its tough balance of grieving and loss, love, comedy, and melancholy. Would this be more of the same? Well, yes actually, although with perhaps an even tougher topic than childhood death - childhood sexuality! Yikes!
O Maidens in Your Savage Season is set in high-school, where the five female members of the literature club seem hell-bent on reading novels that, for whatever reason, have a fair amount of sex in them. We're told, and through a host of literary references throughout, that these are well respected pieces of literature, and that the girls interest is purely literary. After all, how can one eventually write classic novels, if one does not know and understand the world of adults?
I knew nothing about O Maidens in Your Savage Season Vol. 1 (Kodansha Comics) when I bought it. Somehow it made it to my wishlist on Amazon where I keep track of manga to read. When it arrived, I noticed that it had been written by the creator of the Anohana anime, one of my favorites for its tough balance of grieving and loss, love, comedy, and melancholy. Would this be more of the same? Well, yes actually, although with perhaps an even tougher topic than childhood death - childhood sexuality! Yikes!
O Maidens in Your Savage Season is set in high-school, where the five female members of the literature club seem hell-bent on reading novels that, for whatever reason, have a fair amount of sex in them. We're told, and through a host of literary references throughout, that these are well respected pieces of literature, and that the girls interest is purely literary. After all, how can one eventually write classic novels, if one does not know and understand the world of adults?
Monday, April 29, 2019
Mysterious Girlfriend X - ummmm what the hell was that? (Anime Review)
Mysterious Girlfriend X - 5.5/10
I'm late to the party watching Mysterious Girlfriend X, released in 2012, but judging from the Crunchyroll reviews, people really liked it, so I figured I'd give it a try. This has to have one of the grossest premises ever and it manages to make the gross premise look even more disgusting in execution. That being said, the show had some interesting moments, but on the whole, it was strange and servicy.
The story starts when Tsubaki notices that his new classmate, Urabe, has drooled on her desk. When she leaves, he decides - for some godforsaken reason - to stick his finger in her puddle of saliva and then put it in his mouth. From there, they are bonded and they end up having a very strange relationship based on communicating their deepest feelings by sampling each others spit. But not in a good way, not by kissing or anything else. No, by sticking their fingers in their mouths, pulling out what looks like ectoplasm (but is supposed to be saliva) and then sticking it in the other person's mouth causing the second person to feel the things the first person was experiencing. Or something.
The spit itself is almost yellow/green, not clear like most people's, and thick, and always stringing out of their mouths. It is the most un-appealing look they could have given it. But yet, the show isn't totally a lost cause.
As I watched it more, I realized that it's more or less a critique on how stupid teenage boys are, how they think with something other than their brains, and the basic effects puberty has on messing with their heads while also understanding just how naive they really are. In that respect, it's actually an occasionally funny, occasionally observant satire on puberty as well as perhaps a commentary on shounen/seinen anime in general. At least, I'd like to think it was trying to make some valid points in that regard.
The first episode starts with a lot of euphemistic sexual imagery and innuendo along with an opening monologue about a young boy learning about sex for the first time. At first, this is sort of jarring and unnecessary, but in the context of the whole show, actually serves to set up the show's purpose, which again, I think, is an exposition on the idiocy of male puberty.
As for characters, Tsubaki is your basic everyday shounen-ish hero. He's average in school, he's average looking, he's more or less nice, he's an everyman that the male audience is supposed to identify with. He's boring, and stupid, and thinks with his crotch, but is also too shy and too naive to actually know how to respectfully deal with his feelings so he rarely acts on anything either.
Urabe on the other hand, is actually a bit interesting. When we first meet her, my impression was she might be some sort of demonic manic-pixie or something, and at first, we really think she's insane (great scene of her laughing in the classroom then destroying the teacher in the way she brushes off his concern). The scissors she keeps in her underwear (which entails plenty of service) along with the way she uses them to nearly kill Tsubaki through her martial-arts-esque paper cutting, are actually fairly well executed gags and keep her interesting. As we get to know her more, there are subtler sides to her, where she may be masking much of her own insecurity and fears with a fierce and demonstrative approach. It's also possible to read into some potentially dark history with her, although in the anime it isn't expanded at all, so I'm wondering if the manga has more?
Each episode is about one more step to their advancing relationship and Tsubaki's inability to articulate himself in a useful way. He has strange dreams where he imagines what he'd like to be doing with Urabe, and Urabe seems to be able to tell what he's been thinking. We get a sense that she's both empowered and embarrassed by her effect on him. Again, she's intriguing, he's just horny but bland. Their dynamic is best exemplified, and serves the best comedic moments, when he can't quite contain/restrain himself anymore and gives her a spontaneous "hug." Each time, she whips the scissors out of her pants, and proceeds to render any object he's holding into the most precisely destroyed little slivers. When done, and he's thoroughly shocked that he wasn't actually killed by her lighting scissor moves, she reminds him gently not to do that without asking. Yay for affirmative consent!
Some of the episodes early on, were fairly interesting and entertaining, but the show gets to some stupid places near the end that really drag down the last third of the series. A particular arc with a past crush of his gets to some places that can only exist to provide fan service, and go beyond the somewhat valid moments of the earlier episodes.
One of the interesting things in the series is watching how Urabe changes over time. It's small and subtle, but important and is highlighted by the way she ultimately opens up (slightly) to another girl in the class. However, they then add a drool sucking relationship between these two as well. And I know I haven't talked about it in a few paragraphs, but it is drawn so disgustingly, and multiple times per episode, that it really hurts the watchability of the show.
In addition to that friendship, we watch as Urabe opens up to Tsubaki more and more, and reveals that although she's been keeping him at arms length, that she does actually desire physical contact with him. It's a new side to her, and it's clear she wants to connect with him and for them to understand each other. Couple this with an increasing amount of random chit-chat between them as the episodes go on, and we really get the sense that they have a true relationship with each other. She seemed cold, clinical, and weird at first, but over time, Urabe becomes a more well-rounded, or at least relatable, character (while still preserving the fantasy aspects of her characterization designed to appeal to the shounen audience).
On the other hand, as the episodes go on, and into that final arc with Tsubaki's middle-school crush, his stature fades. He goes from being someone who is bland, but tolerable, and maybe worthy of Urabe, to being a typical ass. When his crush appears, we find that he is so easily swayed into doing things for her that he knows will hurt Urabe and their relationship, that it becomes hard to want Urabe and Tsubaki to stay together and keep progressing. As mentioned earlier, this arc has some of the worst writing and scenes in it, and way too much service in its resolution.
Thankfully, after a bad set of episodes (10-12), the final episode has some redeeming value and again shows us some new sides to Urabe that feel natural given the progression of her character throughout. It's a good ending for the show and keeps the whole show from ending on a bad taste from the prior arc.
The art has a retro-ish shounen quality to the character designs, especially evident in Tsubaki's older sister's look. Otherwise it's pretty run of the mill animation. The dream sequences have a lot of CGI which sort of works for the dreams, but it always pulls me out when CGI is combined with what looks more like hand-drawn animation, so I didn't really like it.
Basically, there are some interesting observations and lessons about the steps of relationships and puberty in general, some great character development with Urabe, but it's mixed with a gross premise that won't go away (the drool sucking) and a bland/stupid/unlikable (by the end) male character in Tsubaki. It was almost interesting to watch, but you need a strong stomach (for the drool) and a lot of tolerance for service (panty shots, big boobs) to get to the value. I'm giving it a iffy 5.5/10, but I certainly wouldn't suggest this one outright.
I'm late to the party watching Mysterious Girlfriend X, released in 2012, but judging from the Crunchyroll reviews, people really liked it, so I figured I'd give it a try. This has to have one of the grossest premises ever and it manages to make the gross premise look even more disgusting in execution. That being said, the show had some interesting moments, but on the whole, it was strange and servicy.
The story starts when Tsubaki notices that his new classmate, Urabe, has drooled on her desk. When she leaves, he decides - for some godforsaken reason - to stick his finger in her puddle of saliva and then put it in his mouth. From there, they are bonded and they end up having a very strange relationship based on communicating their deepest feelings by sampling each others spit. But not in a good way, not by kissing or anything else. No, by sticking their fingers in their mouths, pulling out what looks like ectoplasm (but is supposed to be saliva) and then sticking it in the other person's mouth causing the second person to feel the things the first person was experiencing. Or something.
The spit itself is almost yellow/green, not clear like most people's, and thick, and always stringing out of their mouths. It is the most un-appealing look they could have given it. But yet, the show isn't totally a lost cause.
As I watched it more, I realized that it's more or less a critique on how stupid teenage boys are, how they think with something other than their brains, and the basic effects puberty has on messing with their heads while also understanding just how naive they really are. In that respect, it's actually an occasionally funny, occasionally observant satire on puberty as well as perhaps a commentary on shounen/seinen anime in general. At least, I'd like to think it was trying to make some valid points in that regard.
The first episode starts with a lot of euphemistic sexual imagery and innuendo along with an opening monologue about a young boy learning about sex for the first time. At first, this is sort of jarring and unnecessary, but in the context of the whole show, actually serves to set up the show's purpose, which again, I think, is an exposition on the idiocy of male puberty.
As for characters, Tsubaki is your basic everyday shounen-ish hero. He's average in school, he's average looking, he's more or less nice, he's an everyman that the male audience is supposed to identify with. He's boring, and stupid, and thinks with his crotch, but is also too shy and too naive to actually know how to respectfully deal with his feelings so he rarely acts on anything either.
Urabe on the other hand, is actually a bit interesting. When we first meet her, my impression was she might be some sort of demonic manic-pixie or something, and at first, we really think she's insane (great scene of her laughing in the classroom then destroying the teacher in the way she brushes off his concern). The scissors she keeps in her underwear (which entails plenty of service) along with the way she uses them to nearly kill Tsubaki through her martial-arts-esque paper cutting, are actually fairly well executed gags and keep her interesting. As we get to know her more, there are subtler sides to her, where she may be masking much of her own insecurity and fears with a fierce and demonstrative approach. It's also possible to read into some potentially dark history with her, although in the anime it isn't expanded at all, so I'm wondering if the manga has more?
Each episode is about one more step to their advancing relationship and Tsubaki's inability to articulate himself in a useful way. He has strange dreams where he imagines what he'd like to be doing with Urabe, and Urabe seems to be able to tell what he's been thinking. We get a sense that she's both empowered and embarrassed by her effect on him. Again, she's intriguing, he's just horny but bland. Their dynamic is best exemplified, and serves the best comedic moments, when he can't quite contain/restrain himself anymore and gives her a spontaneous "hug." Each time, she whips the scissors out of her pants, and proceeds to render any object he's holding into the most precisely destroyed little slivers. When done, and he's thoroughly shocked that he wasn't actually killed by her lighting scissor moves, she reminds him gently not to do that without asking. Yay for affirmative consent!
Some of the episodes early on, were fairly interesting and entertaining, but the show gets to some stupid places near the end that really drag down the last third of the series. A particular arc with a past crush of his gets to some places that can only exist to provide fan service, and go beyond the somewhat valid moments of the earlier episodes.
One of the interesting things in the series is watching how Urabe changes over time. It's small and subtle, but important and is highlighted by the way she ultimately opens up (slightly) to another girl in the class. However, they then add a drool sucking relationship between these two as well. And I know I haven't talked about it in a few paragraphs, but it is drawn so disgustingly, and multiple times per episode, that it really hurts the watchability of the show.
In addition to that friendship, we watch as Urabe opens up to Tsubaki more and more, and reveals that although she's been keeping him at arms length, that she does actually desire physical contact with him. It's a new side to her, and it's clear she wants to connect with him and for them to understand each other. Couple this with an increasing amount of random chit-chat between them as the episodes go on, and we really get the sense that they have a true relationship with each other. She seemed cold, clinical, and weird at first, but over time, Urabe becomes a more well-rounded, or at least relatable, character (while still preserving the fantasy aspects of her characterization designed to appeal to the shounen audience).
On the other hand, as the episodes go on, and into that final arc with Tsubaki's middle-school crush, his stature fades. He goes from being someone who is bland, but tolerable, and maybe worthy of Urabe, to being a typical ass. When his crush appears, we find that he is so easily swayed into doing things for her that he knows will hurt Urabe and their relationship, that it becomes hard to want Urabe and Tsubaki to stay together and keep progressing. As mentioned earlier, this arc has some of the worst writing and scenes in it, and way too much service in its resolution.
Thankfully, after a bad set of episodes (10-12), the final episode has some redeeming value and again shows us some new sides to Urabe that feel natural given the progression of her character throughout. It's a good ending for the show and keeps the whole show from ending on a bad taste from the prior arc.
The art has a retro-ish shounen quality to the character designs, especially evident in Tsubaki's older sister's look. Otherwise it's pretty run of the mill animation. The dream sequences have a lot of CGI which sort of works for the dreams, but it always pulls me out when CGI is combined with what looks more like hand-drawn animation, so I didn't really like it.
Basically, there are some interesting observations and lessons about the steps of relationships and puberty in general, some great character development with Urabe, but it's mixed with a gross premise that won't go away (the drool sucking) and a bland/stupid/unlikable (by the end) male character in Tsubaki. It was almost interesting to watch, but you need a strong stomach (for the drool) and a lot of tolerance for service (panty shots, big boobs) to get to the value. I'm giving it a iffy 5.5/10, but I certainly wouldn't suggest this one outright.
✩🚺
Subscribe to:
Posts (Atom)