Not only what we have lost, but what we still have left to lose after the Supreme Court overturns Roe v. Wade

Dear family and friends,

They are coming for me. On Friday, 6/24/22, in a concurrence, the supreme court said they want to take away the right of gay marriage and they want to recriminalize gay sex. And after that they will take away discrimination protections for me in voting, health care, and employment. 

If you continue to vote republican behind the defense of being a “fiscal conservative” then you are directly injuring me. Every time you vote republican you are personally striking at me, personally taking my rights away, personally advocating for hate and discrimination. 

You cannot turn a blind eye anymore. If you think I am hysterical, remember that as recently as in my parent’s generation these things were illegal, I was illegal. Please, it is not too late. If you love me. If you love anyone at all. Please.

Your daughter, your niece, your sister, your cousin, your mother, your friend,

Yuristargirl

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.

Metal Lords (movie review)

    Random movie review: "Metal Lords." I was bored, it was on Netflix, so I watched it. And, it was actually pretty decent. How to describe it? It's a light teen comedy/drama movie about metal and friendship and growing up. It definitely doesn't have the realism of something like "We Are the Best" and it doesn't have the quite the emotional depth of "Edge of Seventeen" (2016 - god I love that movie). But it's also not as funny nor as sweet as "School of Rock." But despite some uneven parts and some unnecessary gross-out moments, there were enough genuine laughs and bright spots to be worth watching for anyone who likes light teen movies and likes music. 

    The basic premise is that there are two high-school best friend outcasts, one who is domineering (but deeply hurting inside) who loves metal and plays the guitar, and the more emotionally centered kid he had previously befriended (and who is the fulcrum, so to speak, for the movie) who plays drums. They form a "band" if you could call it that. The guitarist is determined to enter the school's battle of the bands to show everyone that they are "somebodies" and become stars like a prior metal band that came out of the school.

    But can they do it as a duo? And therein lies some of the best moments of the movie. Our drummer watches as a girl in the marching band goes ape-shit crazy on a teacher and then stumbles on her later playing cello - and she's good. Couldn't she join the band? Not if the guitarist has anything to say about it. 

    So we get a burgeoning teen love (drummer and cellist) that conflicts with an old friendship (guitarist and drummer) and that conflict propels some emotional growth in all three. But oh, the conflict between the guitarist and cellist reaches a peak in one of the best scenes in the movie (I won't spoil it).

    There's also healing family wounds, coming out of your shell, and romance. Unfortunately, for all the good, there are a few uneven moments, and the film as a whole has a less-than-believable overall tone. But that's not to say it doesn't work, it's just light, fun, fare - and that's okay.

    All three leads are wonderfully cast. There are some funny cameos from actual metal musicians and there's a great twist with a psychiatrist. There are also some interesting moments with the "rival" band - showing how as douchey as their music is, they're actually decent people. It's nice to see a teen movie where there is a mix of personalities, not just the good ones and the bad ones. But a whole bunch of average people being somewhat decent.

    Interestingly, there is also the regular appearance of a side character with Down Syndrome, played by an actor who has Down Syndrome. I'm a bit torn about this character, and I would be interested in hearing from some folks with even greater knowledge of disabilities than I do as to whether it is positive representation. My hunch is that, it is. The scenes with that character and the guitarist have a gentleness and humanity that I liked, it didn't feel forced to me, it didn't feel exploitative, and I think visibility is great. But, I also might be missing things that might have bothered others about that role (or maybe not, maybe it was good representation?). At the very least they tried and that's something too.

    Other kvetches: it didn't pass the Bechdel Test. There was only one female lead. She did not interact with any other female. There was another girl thrown in just to tempt the drummer. There was no interaction between any female characters at all. 

    And on another note, there was one gay joke. It started really badly with the guitarist calling having the girl in the band "gay." But then the other two look around at posters in the guitarist's room and the sight gag of all those singers with makeup, tight pants, and crotches packed with socks poked fun at the machismo of metal mixed with the innate queerness of many metal bands - and their infatuation with dicks. It was a funny turnaround to be sure. But that's still an uneven commentary on using "gay" as a pejorative. While they did manage to turn it back on the person who said it, it didn't quite resolve in a way that makes being gay okay. All it basically said is that all metal is gay, not that it's not okay to call things "gay" to demean them. On the whole, I wish they didn't make that joke, but there's been worse. 

    So on the whole, the movie was nice, it was sweet, but it isn't one I'm likely to watch again. There really were some laugh-out-loud moments, and the cellist's explosive temper is so well done by the actress. The overall tone was a bit mixed - veering more towards light teen comedy than anything really meaningful - but uneven at times too. And yet, there was some growth in several characters. So as imperfect as it is, if you're bored, like music, and like teen comedies, it might be worth watching.

    

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.

Adachi and Shimamura volume 3 (Manga review)

    I think I am going to stop reading the "Adachi and Shimamura" manga. So this review of volume 3 will probably be my last stop with this series (however, that does mean that I can pick up a new series to start - gotta respect the 'ole budget after all).

    In Volume 3, Adachi and Shimamura exchange chocolates for valentines day. I mean seriously, that's about the only thing that happens all volume, and although it introduces a new character (an old friend of Shimamura's who is likely to cause trouble/confusion somewhere down the line) there's basically nothing go on.

    And it's not the good kind of nothing either. I'm fine with those slice-of-life, no real plot sort of stories if they are well done. However, this series is becoming the worst form of yuri (well, 2nd worst after the male-oriented, hentai-light type). It's the type of yuri that is neither a deep and meaningful exploration of the complexities and depths of female friendship, nor an actual romantic coupling (or even better, an actual lesbian couple - the distinction I'm making is better left for a later date). 

    No, this is the super bland, queer baiting, non-committal, meaningless dreck kind of yuri. The kind of yuri where the actions, feelings, inner-monologues, and everything else feels fake, contrived, and confusingly vacant all at the same time. Nothing they say in their inner monologues makes sense. Nothing they do in their interactions makes sense. The actual writing has horrid pacing, abrupt jumps and transitions, and is just generally really poor. 

    I think the closest current series that I can think of to compare it with is something like "A Tropical Fish Yearns for Snow" and yet I think (9 volumes in to that series so far) that that series might actually turn romantic (god I hope so). But that series too suffers from some of these same non-committal, confusingly non-realistic depictions of teenage girls' minds and hearts. However, at least "A Tropical Fish" is slightly more interesting, with characters that have some actual depth to them. "Adachi and Shimamura" just doesn't know how to create that. It's so poorly written. And it's queer-baiting with no real sense that there will be a legit romantic and/or LGBTQ+ payoff that makes it's frustratingly vapid storytelling worth it.

    I thankfully am at the point in life now, and with the increasing availability of LGBTQ+ media to consume (I doubted you "Heartstopper" - but 5 episodes in you are very very adorable), that I don't need to waste my time or my money on such a less-than-mediocre "yuri" (maybe it's not even queer-baiting, maybe it's just yuri-baiting) manga like Adachi and Shimamura. Volume 3 is likely to be my last for this series. 

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.