Tuesday, February 22, 2022

Kase-san and Yamada volume 2 - Manga Review

   OMG OMG OMG, it's finally here. After initially ordering it sometime last year and then having my order canceled since the publishing was apparently delayed, the second volume of the sequel series/ 7th volume of the series (both are on the cover, somewhat thankfully actually), I finally have "Kase-san and Yamada vol. 2" in my hands! But after two volumes of this new series, I am a bit...worried? Somehow it is...different? No, that's not quite right. But I'm beginning to think that maybe Hiromi Takashima-sensei is drifting from what made the original 5 volumes so good...or is she? (dun dun DUNNNNN)
    Because it's been so long, I think two things are in order: 1) a quick summary of the series, and 2) a quick summary of how much I adore this series. 
    So 1) The first five books tell the story of high-schooler Yamada Yui, the cute, somewhat shy, flower loving girl that Kase Tomoka, the beautiful, athletic, princely high-school girl, reciprocally and adorably falls in love with. (Okay, so I know that my sentences are inordinately long and complex, that's what I get for taking a while off blogging/it's just what I do).  The first five "Kase-san and..." books tell the story of their meet-cute, new friendship, and eventual shy/adorable/but-not-chaste (good, they are actually high-schoolers, and high-schoolers are not chaste. I am really okay with shoujo/yuri manga actually depicting that teens have hormones. Although I do love the stolen glances, blushing, will-they-won't-they purity of other series...I digress) romance. With "Kase-san and Yamanda" volume 1, we see the two head off to their respective colleges and (flips through quickly because it was literally published in 2020) Kase gets jealous of Yamada going out with a new friend to a group-date, and Yamada begins getting jealous of Kase's new roommate. Basically, we get some of their cute flirtateousness, some princeliness, some cuteness, and some of both of them coming down from their emotional peaks to confess just how truly, maddeningly, in-love they are with each other. But that's not all we get in that volume (more to come).
    And 2) I love the first five "Kase-san and..." books. They are light, but emotional, the characters have some varied dimensions to them for such a light romantic comedy of a series - especially Kase who tries to project this princely quality but is actually hopelessly in love, a bit more girly than we'd expect, not really put together, and quite a softy. They are earnest books, they spend time with the two characters together, being cute and earnest together. It's just so...nice (and I mean that in a very good way).
    And therein lies the problem that started in "Kase-san and Yamada" vol. 1 and seems to continue with "Kase-san and Yamada" vol. 2. Volume 2 has much the same feel as volume 1. The characters spend little time actually together, less time communicating effectively, more time feeling jealous, and the general feeling of light niceness of the first series (5 volumes) isn't quite there anymore.
    In volume 2, Kase is roped into working at Inoue's family's summer beach-front hangout. By various means, all the series' characters end up staying in the same inn. What this volume continues are the hints that maybe Kase-san's roommate will become a central character, and perhaps even romantic competition for Kase's affections [although, a) we know Kase is oblivious to everything and b) Kase is hopeless for Yamada, so I'm not actually worried]. But with that and a few other things, Yamada spends a fair amount of time sulking rather than talking to Kase. Kase also continues to be quite busy and I get the sense that she's not really prioritizing time with Yamada, her girl-friend. We learn their universities are about 50 minutes apart by train, and even though Yamada has a job, she always makes time for Kase. But Kase has regular practice, track meets, travel, and now takes this summer job away from Yamada. Dummy.
    Before I get to any analysis, I would be remiss without mentioning that this volume also has some definite lovey-dovey moments between the two. My favorite is a small moment in the first chapter, at the fireworks festival, where Kase notices the nape of Yamada's neck in her yukata. It's such a slight small thing, a single panel, nothing spoken, no follow-up, but it's moments like that that crystalize the various parts of Kase's character and remind us of just how in love (and in lust) she is for Yamada. That's important. It's important that we always see this as a reciprocal relationship amongst equals. On it's surface, it would be easy to read this series as the homely but cute, shy and unassuming, shoujo heroine (Yamada) in a one-sided love with the out of her league, gorgeous, sporty Kase. But that's not it at all. Because Kase is just a dork, who is sort of a mess, and who is just as desperately in love with Yamada as Yamada is. These are two very nice, very kind, young women who genuinely like each other. And that's what made the first five volumes so good.
    That's also what is troubling me about these next two. They're almost fighting and misunderstanding each other, and not even spending that much time together, and there's this room-mate who is hinting at intruding on the Kase/Yamada thing, and there's tension in the series where there wasn't before.
    And then it hit me. They aren't high-school girls anymore. Life is changing. It's more complex when you don't live in the same town and go to the same school. Where you are working on figuring out your adult life, and rationing your time, and trying to make new, adult friends (nearly impossible for me, so I feel it when Yamada talks about that in volume 1), while still maintaining your old ones, including your girl friend. Their worlds are getting bigger. And bigger means change.
    And then it hit me even more. It connected me to a mistake I made last year. I'm over 40 now (ughhhh, that is so awful to say). But I've only been out as my true self, publicly as a woman for 2 years, most of which has been spent in the pandemic, and most of which has been spent divorced. When my ex-wife and I started the coming out process nearly 5 years ago, I talked about how I felt like a toddler then (specifically the image of Tinkerbell when she is first born in the first Tinkerbell movie, wearing that pretty white dress is what resonated with me). Sure on the outside I was this 40 year old, who was a parent, who had a career and a wife, etc... but I felt very young. I hadn't lived as a woman openly, I hadn't learned the things girls learn as they grow up with their moms, and aunts, and cousins, and siblings, and friends. I hadn't experienced life as a girl, young woman, and now adult woman. I was feeling new feelings in new ways for the first time every day. And two years on, reading this volume, I still feel so very very young. Maybe like a middle-schooler now.
    And I thought back to that mistake I made last year. I had only been out publicly a little over a year, I had been separated and on the way to divorce for about 8 months. And I met someone. I met someone who not only checked every box on paper, but who is absolutely a lovely and wonderful real person. I very quickly fell for. Fell hard. It was my first time loving someone as me, openly, as a girl/woman. I felt things in ways I hadn't felt before. But also, I was feeling things in ways I hadn't since I was a teen. It was like being an adult but having all that intensity of emotion that only teens can feel. Beautiful, exuberant, intense, uncontrollable, unfiltered, unself-conscious. And then it was over in two short months.
    I got the "it's not you, it's me" speech. But what I didn't understand at the time, and what took a full year of therapy later to really understand, was that it was me. It was me, not understanding what she needed, where she was at in her own journey, how what I was experiencing was putting enormous emotional pressure on her so early in our relationship. I felt jealous about things I had no need to and no business being jealous about. And I told her my feelings, thinking that was a good thing, since I had kept them hidden inside for decades with my ex. And I asked her questions about the future, and I worried that if we didn't have certain conversations early, that I would somehow hurt her or be hurt by her, and so I rushed those parts too. We only knew each other for 2 short months, 7 dates in total I think. But my mind and feelings were racing years ahead, sprinting, heart bounding, but it also brought out new and ugly feelings and worries and anxieties that put so much pressure on her.
    And this volume made me think about that. Where I was a teen in a woman's body, feeling things that weren't necessarily becoming of an adult and weren't what she needed at this point in her life and with all that she was still working through, she had your own needs and thoughts and rhythms and I wasn't there for her. I wasn't adding good things to her life, I was only applying pressure (however unwittingly). But maybe those types and intensities of feelings are exactly right then for Kase and Yamada? They are newly in college, newly experiencing all that rapid growth of freedom at that age, still learning about themselves and each other. Maybe what they are going through in these first two volumes of the sequel series is exactly right. They should be having ugly new feelings, they should be struggling to communicate, they should be unsure of how to handle their complex thoughts (passionate one moment, jealous the next, insecure, and overwhelming). Because they are 18 and 19 and it is messy to figure this stuff out. 
    I might want this story to stay the "little story that could" (to paraphrase another blogger) forever. But part of what made the series so wonderful was the humanity in these characters. They weren't stock. They had fully fleshed out reality behind them. They were people. So I connected to them, and I loved through them. And now, because they are so real, they have to grow and change and have new experiences and feelings. And those will be different than the ones they had in high-school, and so this series, about them now, in college, must also be different. 
    So while "Kase-san and Yamada" volume 2 has many wonderful traits from the original series, it also is exploring new things as the characters grow up. That's uncomfortable but also important and real and asking them to stay the same would be a disservice to them, to their creator, and to what they might become in the future. So here's hoping Kase-san and Yamada keep growing up and growing together and that we get to follow that journey for many many more years to come.

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

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Friday, February 4, 2022

Cocoon Entwined volume 4 (manga review)

Cocoon Entwined volume 4 cover
It takes freaking forever between releases of "Cocoon Entwined" volumes. Volume 4 finally came out and I have to admit, just like with each prior volume, I could not remember almost anything of what happened before. Add to that that the overall writing style is so oblique and obfuscated that it is nearly impossible to know what's really going on. That's also not helped by art that is quite variable in quality from panel to panel and that has trouble distinguishing certain characters (I must note that I clinically struggle with remembering faces, so this is double tough for me).

All that sounds like a resounding dislike of this series, which is actually not true at all. I am fascinated by it because it is quite a dark take on the "class s" sub-genre of yuri. Long-story short, there is an all-girls school where the girls never cut their hair, and as they graduate it is cut and then turned into the uniforms for the incoming students (creepy!). Mix that with a troubled and mysterious girl who Hana is in love with, and the more typical moral-center/shoujo-herioine/average girl Youko who is in love with Hana, and we have the recipe for an interesting yuri. 

The biggest thing is I can't keep track of the other character's stories. The art is also so ambiguous (or poorly drawn?) at times that I can't tell exactly what is going on (was that a kiss on the neck or did we just introduce vampires? I think it was just a kiss). However, despite the inconsistency with anatomy and indistinctness of some panels, the overall art is unique and sometimes really arresting.

The story itself though, while having great promise on the surface, has taken so long to move forward (or maybe not because it's only 4 volumes - it's just taken forever for them to come out that maybe it feels slow) that it doesn't have the momentum I would like. We also don't have much actual depth on the characters. They pretty much exist in the here and now, and when we do get their inner voices, they are so abstractly written as to not reveal much. It's hard to have real sympathies and connectedness with the way the characters are handled. From the art, to the writing, to the overall creepy vibes, the series feels like it's holding us at arms length. It's not really letting us into their hearts. 

As for volume 4, why we are here, there are long portions without Hana or Youko that are unclear to me as to what is actually going on. But the portions with Hana and Youko are definitely the best, and most grounded, parts of the volume. Just like the prior volumes, the art is inconsistent. I mentioned before that the anatomy is often wildly wrong with awkwardness or musculature/structural issues that show a lack of advanced draftsmanship (draft-person-ship?). That takes me out of the story a bit. However, giving credit where credit is due, at least it's daring art. Lots of black, lots of contrast, lots of textures and movement and flow. At least it's not boring (see my prior review of the art in "If I Could Reach You" volume 6).

I'm going to keep reading it, and honestly, when it's all done, I will re-read it all to see if it improves without the loooooooong wait time between volumes. I bet it will. 

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.

If I Could Reach You Volume 6 (Manga Review)

If I Could Reach You volume 6 cover

There has been so much time between volumes of "If I Could Reach You" but I was glad to get this next one. What made me most excited was that this volume focused almost exclusively on Kaoru's present, past, inner-life, etc... It fleshed her out in a way that is likely to create greater plausibility and acceptability for what will come next in the series. But I am jumping ahead.

"If I Could Reach You" is a story about Uta, a high-school girl whose older brother dated and now married a woman named Kaoru. They dated all through high-school and she was like an older sister to Uta. But Uta comes to realize that her feelings for Kaoru aren't sisterly, they are romantic love. As the series has gone through it's first five volumes, it because clear to Uta that she can't keep living with her brother and Kaoru any longer (I can't remember where the parents are - like most shoujo manga they are either overseas working or dead, doesn't really matter for this purpose though). By the end of Volume 5, Uta has moved out into a small student apartment to be away from Kaoru and reclaim her life.

And that is why volume 6 is so refreshing. We actually get to learn about Kaoru. No longer is she just the stock character our main character has feelings for, but she has an inner life, she has complexities, and there are plenty of hints dropped that reveal more substance (and thus more potential) that maybe something could actually happen between her and Uta. I don't want to give spoilers, but it was refreshing for a series like this to actually flesh out the love interest.

That being said, here is my normal disclaimer that I am opposed to adults dating high-schoolers and I have no idea if this series will ever bring that relationship to consummation in any way, or if this will be more the melancholy longing and ultimate growing up and growing apart (which was done so masterfully in series like After the Rain). So I'm sticking with this series so far because it hasn't crossed any lines or made any overtly icky situations. That said, these things can turn on a dime, so just be aware that it's about a high school student with feelings for an adult. Let's hope the adults act like adults.

However, I can't deny that one of the things I love in manga (and god, I can't believe I'm admitting this publicly), is the step-siblings who fall in love with each other (see Citrus or Love Me Love Me Not or literally like half of all shoujo). And so while not step-siblings here (actually siblings-in-law), there is that forbidden love thing here too (I just wish it wasn't child/adult, but as I said, so far it's just feelings in Uta's head, which isn't necessarily abnormal for a high-schooler to have a crush on someone a bit older, I guess).

The art continues to be okay. It's in that slightly comic-booky/modern shoujo manga lightness that is only okay to me, but in no way memorable. If you've been reading this blog, you know I love 90's and early 2000's shoujo manga with the super disproportionately long limbs, sharp angles, and lots and lots of screentones. This has none of that. It's fine, but it's just not anything special. Even among contemporary manga, it's nothing like the art of Io Sakisaka who blends the best of contemporary figure proportions with exceptional draftsmanship, detail, and yes...screentones! tMnR, the mangaka behind this, is competent as an artist, just not memorable. Compare:

comparison between the artwork of Clamp, Io Sakisaka, and tMnR
See the dynamic blacks, and long angular lines in Clamp's work, and the complex screen tones, and rich textures in Io Sakisaka's work, then look at the simplicity in "If I Could Reach You" by tMnR. You're mileage may vary as to your preferred style. (Right click and open to view larger)

Anyway, volume 6 is one of the better ones in the series because it fleshes out Kaoru's character. We do lose some momentum, but I think that is worth it for having a more fully realized person, not just a stock love interest. We also get hints that this series could resolve any number of ways, which makes me want to keep reading. The art is just average for modern shoujo/yuri manga, which is to say, nothing special at all, sort of perfunctory. But the writing is a bit above average and I'm interested to see where it goes and how it handles the complexity. So I'll keep reading and let you know what I think.

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.

Bloom into You Anthology Volume 2 (Manga Review)

Bloom Into You Anthology Volume 2
Bloom Into You was one of those manga series that got better each time I've reread it (finding more nuance) and each time I've rewatched the anime (which only covers about 1/2 the story, but still ends in a satisfying place, FYI). So of course I bought the first anthology volume which was a collection of short side-stories written and drawn by colleagues of the original creator, Nakatani Nio. It was light fluff. Doesn't mean it was bad, but basically, it was a way to get just a little more time with our two main characters. So, knowing full well what volume 2 of the anthology would be like, I happily purchased it.

Bloom Into You anthology volume 2 is more of the same, 13 more very short short side stories with our favorite characters. One nice touch is a side story by Nakatani Nio herself. As a collection, anthology volume 2 is mixed, which was no surprise. Some of the mangaka really seemed to try to emulate Nio-sensei's style (or just naturally had styles close to hers) while others reinterpreted the characters in their own style, while still having enough in common to be recognizable. Sometimes the different art styles works (it was fun to see Canno) but sometimes it doesn't (see SheepD). 

The stories themselves are mostly insubstantial. A few of them, however, feel like they didn't quite get the essence of the original character's personalities. Other stories seem pretty on-the-nose. There is at least some romance, although most of this is just light humor. We get a little bit of a glimpse into some side characters. But on the whole, nothing is really added, which makes sense as this is probably considered non-cannon, but at the same time, there is nothing in it that really is significant enough to disturb the cannon either.

Hard to say much more. Did you really like Bloom into You? Do you want more time with those characters? Do you not mind if it's a bit uneven and insubstantial? Then you've probably already bought this volume. If you were just a casual reader of Bloom Into You, then just know this is fun fluff and nothing more. I wasn't disappointed because I knew exactly what it would be, and I DID just want more time with Yuu and Touko. 

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

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Sunday, January 9, 2022

Final volume of Love Me, Love Me Not (volume 12) more or less satisfies

Cover of Love Me, Love Me Not volume 12 by Io Sakisaka
Wow, been a long time since I've done a post. Lots has happened in my life, and a lot has happened in the world. But, I'm glad to be posting again. Can't say how often it will be, as my budget has reduced me to purchasing about 4 or 5 volumes a month instead of 10+, but hopefully I'll still do a few posts a month.

Anyway, on to a review of the final volume of Io Sakisaka's "Love Me, Love Me Not" (volume 12, Shojo Beat).

For those who haven't read the series, here's a quick synopsis: Yuna is shy, Akari has a somewhat troubled past with boys. Yuna is friends with Kazuomi.  Akari and Rio have become step siblings. Akari and Rio had crushes on each other, but when they became step-siblings they put that aside. 

Quick series spoilers, skip if you don't want them:
- By volume 12, Rio and Yuna have become a super cute couple, and Kazuomi and Akari look like they have finally figured out their feelings for each other. But the problem remains, Akari and Rio's father is going to have to leave the country for work. What will the kids do?

SPOILERS OVER

In volume 12, we get the resolution to the story of the four high-school seniors. I don't want to spoil too much, but here's what works and what I wasn't totally sold on:

Works:
- Amazing kiss between Yuna and Rio
- We see just how much Yuna has grown over the course of the series
- It's a basically satisfactory ending
- the art is amazing, as always, but maybe even a bit better than her norm. Sakisaka-sensei is just an incredible artist.

Wishing for a bit more:
- The wrap-up to the series felt a bit rushed; Iwould have liked more time with Akari and Kazuomi to see their relationship develop before the final hurdle of the plot.
- While Yuna had really nice growth in the series, they only hint at Akari's changes, but her past wasn't really fleshed out enough to see the contrast. The boys were pretty much nice, but stock figures. Compared to the depth of characterization in the leads in her last series, Ao Haru Ride, this series just didn't have the character depth.
- The ending climax issue (a father being transferred overseas, will the kids have to separate????) is a bit tropey. Tropes are okay, they are tropes for a reason after all, and the resolution was a bit novel, but it all was done so fast as to not have the power I think it could have.

So there you have it, a romantic drama with four likable characters, one of whom actually gets some decent growth, beautiful art, and a basically nice story. It doesn't come close to the power and depth of Ao Haru Ride (but what could?!), but it's more than a solid shoujo series, definitely a cut above the average and worth a read.

I certainly recommend this series to anyone who likes shoujo romance. It may not be your all-time favorite, but it really is better than most. The art alone is worth it! And that final kiss with Yuna and Rio...soooooo goooooood!!!!! 

Volume 12: (scale of 1-10): 7 (resolved too quick)
Series (scale of 1-10): 7.5 (much better than the average shoujo series)

✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.

Sunday, January 17, 2021

Finished uploading my original Yuri comic scripts

All the chapters of my original yuri story are now online! You can read it under the "original Yuri" heading above or by clicking this link: "In the Morning, I'll Say Hello"

It's the story of a high school girl with no memories and another girl with no voice. Something draws them together, but something in their past might tear them apart. 

I hope you enjoy!



✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.

Saturday, August 29, 2020

Still on Hiatus - still posting my yuri comic scripts - and a word about the world

Hi everyone. I'm still on hiatus, but my life is slowly being pulled back together. I just wanted to let everyone know that I'm continuing to post new chapters of "In the Morning, I'll Say Hello" on the "original yuri" page. It goes to chapter 82 and the whole thing is written, so it's just me remembering to post weekly! So keep checking.

On other matters, I want to express my most heartfelt sympathy to all those who have been impacted by COVID-19 and our federal government's absolutely horrific lack of leadership and undermining of science and health. 

I also want to take a moment, and no words can truly express how I feel, to send every ounce of my being out into the world in support of the #BLM movement, in support of all black, latino/latina/latinx, POC, indigenous peoples, and all other historically and/or currently marginalized peoples in the US and around the world. 

The fact that the US cannot, with all its privilege and wealth, with all its history of moral crusading, come to grips with its own history of, and current, colonization, marginalization, and dehumanizing individual and collective actions and take firm grip of being a leader in human rights first and foremost here at home makes me sick. 

I will never stop pushing until all human beings enjoy the protections, freedoms, dignity, rights, security, health, education, self-direction, and more that all people are inalienably imbued with and owed from their fellow humans and governments. I also will never stop pushing until we as a society make true amends, recognizing the inter-generational trauma that lives in the very blood and DNA of our fellow people as a result of our actions (and furthered by the actions our own government, hate-filled people, and police continue to take), and finding a way to secure a truly equitable, self-directed, future for each and every soul on this planet, starting first in our very own country, and which must include active repair of the harms perpetuated psychically, physically, intellectually, culturally, socially, and financially on those we have oppressed and on whose oppression white people have profited. 

For no matter how challenging any individual white person's life might be, and many surely do and have lived challenging lives, the fact of their whiteness has not doubled, tripled, infinitely made-worse their pain, suffering, and hardship the way the false conceits of race have been levied individually, systematically, and structurally as weapons of oppression against blacks, indigenous people, and other POC. We have committed genocide after genocide in this country, starting with the indigenous people, and then with the way we have built our society on the very oppression of blacks and POC and then maintained and furthered that oppression at every turn. I can never express all of what is in my heart, but please know that my heart and my actions are fully committed to ending oppression and marginalization. 

I cry with pain over what has occurred, with embarrassment over our current government, but with hope that so many more white people are recognizing what POC have always known about the world. Let this awakening of awareness be the first waves of a never ending tide of action and repair that sweeps through our society, cleaning it in the fresh waters of true freedom and liberation.
 . 
✩🚺

Please legitimately purchase or borrow manga and anime. Never read scanlations or watch fansubs. Those rob the creators of the income they need to survive and reduce the chance of manga and anime being legitimately released in English.

All comments are moderated by a real person who only checks them once a day. Therefore, comments may take a while before they show up. Thanks for understanding. It's how we keep this a community of lovingkindness.